Film reviews
Mad Max prequel Furiosa is emotional, witty and savage
Director George Miller unleashes carnage at every turn in this origin story for Charlize Theron’s one-armed warrior
Scoop immaculately recreates Prince Andrew’s Newsnight interview
An excellent performance from Billie Piper can’t cover up the fact that this is a slightly hollow dramatisation
Scoop immaculately recreates Prince Andrew’s Newsnight interview
An excellent performance from Billie Piper can’t cover up the fact that this is a slightly hollow dramatisation
A sweary Olivia Colman is enough to sustain Wicked Little Letters
Colman plays a judgy 1920s Little Englander inundated with vulgar correspondences in the post – with Jessie Buckley’s colourful Irish immigrant the prime suspect
A sweary Olivia Colman is enough to sustain Wicked Little Letters
Colman plays a judgy 1920s Little Englander inundated with vulgar correspondences in the post – with Jessie Buckley’s colourful Irish immigrant the prime suspect
George Clooney’s The Boys in the Boat is handsome but risk-free
This true-life tale of the American men’s rowing victory at the Hitler Olympics is far too traditional and stuffy to ever achieve lift-off
George Clooney’s The Boys in the Boat is handsome but risk-free
This true-life tale of the American men’s rowing victory at the Hitler Olympics is far too traditional and stuffy to ever achieve lift-off
Joaquin Phoenix is perversely watchable in the thrilling epic Napoleon
This is a two-and-a-half-hour spectacle that translates brutal history through Scott’s brawny, cannily modern style
Joaquin Phoenix is perversely watchable in the thrilling epic Napoleon
This is a two-and-a-half-hour spectacle that translates brutal history through Scott’s brawny, cannily modern style
The Exorcist: Believer is boring and parched from a lack of scares
This is a toned-down, more limply palatable iteration of William Friedkin’s 1973 classic: the projectiled pea soup is gone, the verbal abuse has been whittled down to a single ‘c***ing’, and any and all acts committed with crucifixes barely register a shock
The Exorcist: Believer is boring and parched from a lack of scares
This is a toned-down, more limply palatable iteration of William Friedkin’s 1973 classic: the projectiled pea soup is gone, the verbal abuse has been whittled down to a single ‘c***ing’, and any and all acts committed with crucifixes barely register a shock
